Rethinking Storify

A few years ago, I received an invitation to beta test Storify. I still don’t know why I was chosen, but it probably had something to do with my job as web editor at a paper known for covering New Hampshire’s first-in-the-nation primary. It wasn’t long before Storify projects became mainstays on our political blog.

Storify makes it easy to capture a cross section of community sentiment or cover a major event in real time. (It’s also fantastic for reporting bits of social media culture, like the birth of the New Hampshire primary’s hashtag.)

One of the coolest parts of experimenting with a new tool is seeing how other journalists use it to tell the stories that are important to them. I never thought of maintaing a Storify that grows over the course of many months, but that’s exactly what Josh Stearns has been doing since the fall of 2011. Stearns, a media reform advocate with Free Press, has used Storify to track the arrests of journalists covering Occupy protests. (See how the story’s introduction fosters conversation by including ways to pass along tips? Brilliant!)

Last week, Stearns spoke via Google Hangout to one of my classes at Northeastern University. He had some other ideas for using Storify that go beyond basic curation: The slideshow tool, he said, is good for photo galleries. And an unpublished story can serve as a sort of social media notebook because Storify archives tweets even after they’ve been deleted from Twitter.

Stearns also talked about taking a “slow-news approach” to social media journalism. That means carefully selecting the best story elements and using verification techniques to make sure the information is accurate.

Men still dominate in lit mags, but women are experimenting with longform online

Literary journalism will have a digital future. Exhibit A: Snow Fall. Exhibit B: The Atavist.  Amazon and BuzzFeed are also becoming major outlets for in-depth narratives.

But what kind of role will women play in telling the longform stories of tomorrow?

When it comes to traditional literary magazines, men still dominate, according to a recent survey by VIDA: Women in Literary Arts. Harper’s Magazine, for example, published 141 stories by men last year and just 42 by women. At the New Yorker it was 613 pieces by men and 242 by women.

It’s far too soon to take a scientific look at the gender breakdown of digital longform efforts, but women have been among those experimenting on new platforms. Seven of the stories recently posted on The Atavist were at least partially produced by women, and women wrote about a dozen of the Kindle Singles listed under the “reporting” category.

Still a minority, but a start.

Today is not “Objectify a Male Tech Writer Day”

Leigh Alexander has credentials most modern journalists would envy: A well-read blog, a devoted Twitter following and a gig as editor of the gaming site Gamasutra.

Leigh Alexander is a respected source for gaming news, but it still the target of objectifying comments.
Leigh Alexander is a respected source for gaming news, but is still the target of objectifying comments.

Google her, and you’ll learn all of this. But you’ll also find something else: Musings about how her chin resembles Jay Leno’s. (Click here to see what I mean, but be warned that some of these remarks are pretty crass.) Similar comments are routinely directed at other female journalists, particularly those covering male-dominated fields like technology.

Alexander decided to turn the tables and declared Feb. 1 “Objectify a Male Tech Writer Day.” She soon called off the event, but not before raising some valid points:

A woman who shows her face in a male-dominated space generally can’t win. If her audience does not find her attractive, she will have to hear a lot of specific criticisms of her features…It’s worse on her if her audience does like her looks: In that case they’ll say she obviously used her beauty to boost her career and is seeking attention and praise for displaying even a biographical headshot. Or she’ll be the recipient of vulgar comments and image manipulations.

The problem isn’t unique to tech writing. Just ask any political reporter — myself included — who’s been slammed for showing too little leg on election night or advised by (male) lawmakers that pretty dresses = better quotes. Online, such comments are amplified by social media and can make it hard to gain professional credibility.

That’s a big problem, especially now that a solid digital identity is vital currency for any journalist trying to build a career.

I put together a Storify about #ObjectifyaMaleTechWriter. The WordPress export tool (still) doesn’t work, so you’ll have to click here to see.