How serving as a Pulitzer juror made me a better journalism teacher

Being invited to serve on a Pulitzer jury is probably a little like getting accepted to Hogwarts: You receive a letter written on really nice stationary with instructions to show up at a certain place and time. And please, it goes on, don’t tell anyone what you’re up to.

My envelope from Hogwarts has, alas, never arrived, but for the second year in a row I was summoned to Columbia University in February to serve as a Pulitzer juror, picking finalists in one of 14 journalism categories.  Last winter, I sat on the local reporting jury. (Details on that experience here.) This time was breaking news.

Pulitzer deliberations are confidential, and jurors’ identities are secret until after the winners are revealed, but my experience has still been a powerful teaching tool, one that’s given me fresh vocabulary to describe what it means to master the craft of modern nonfiction storytelling.

My students have been poking around the new Pulitzer website for a couple of months, identifying strong leads and mulling over what topics make compelling stories. We also talked a bit about the Pulitzers and public service journalism ahead of our Spotlight event earlier this month.

Last week, my editing class watched the announcement of the 2016 winners live:

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Then we examined the winner and finalists in the breaking news category and talked about the hallmarks of effective, responsible journalism in the first few hours of a big story. The students liked how the Los Angeles Times’s winning entry used rumor-busting bullet points to list known facts after the San Bernardino shootings. They found the Baltimore Sun’s interactive timeline useful in understanding the events that led to Freddie Gray’s death. We also talked about how the Post and Courier used a mix of screen grabs to illustrate a video showing the shooting of Walter Scott. (When it came to whether or not to publish the video itself, the students’ opinions were mixed.)

All three entries show a mix of urgency and comprehensive follow up. Here’s a little scribble that I used to illustrate this concept:

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In the hours, days and even months after a major breaking news event, readers want – need – coverage that provides context, answers questions and explores possible solutions. Accuracy matters more than speed. Or, as I told my students, it’s better to be dead last than dead wrong.

These Pulitzer-inspired lessons will continue in the fall, too. My colleague Tom Haines is teaching a course focused on environmental reporting, and his students will be able to learn from finalists like InsideClimate News, the Portland Press Herald and ProPublica. I’m teaching entrepreneurial journalism, and we’ll talk about how several of this year’s top entires came from news organizations that didn’t exist a decade ago.

So thanks, Pulitzers. And happy 100th birthday. Here’s hoping for another century of identifying and honoring excellence in journalism.

Learning about solutions journalism

I spent most of Monday at a workshop on solutions journalism. It was a lovely start to the week for more than one reason. We met at the NH Audubon’s Concord property, which meant we got to see this gorgeous creature during a coffee break. More important, though, was the chance to explore a sub-genre that I’ve been curious about for several years.

Our leader was Tina Rosenberg, a Pulitzer Prize winner and co-founder of the Solutions Journalism Network, a group that aims to increase the “volume and quality” of this type of storytelling. We spent time discussing what Solutions journalism is and isn’t, but here’s one definition I like a lot:

Solutions journalism can include reporting on responses that are working, partially working, or not working at all but producing useful insights. We can learn just as much from a failure as a success. The key is to look at the whole picture — the problem and the response. Journalism often stops short of the latter.

The notion that this type of storytelling is about presenting a more complete, complex picture is important. I also appreciate the emphasis Rosenberg places on finding compelling characters and structuring “howdoneit” narratives that keep the reader engaged.

I took a lot of notes on Twitter throughout the day. Some highlights:

For examples of solutions journalism, check out these projects.

A girl named Ruby

Check out this Kickstarter campaign aimed at creating a children’s book about computer code. The best part? The protagonist will be a girl named (of course) Ruby.* The book is programmer Linda Liukas’s latest bid to make technology accessible to everyone. The project has already brought in more than 10 times its original goal of $10,000, — including a small donation from me — and Liukas plans to use the additional money for a parents’ guide and a mobile app.

Creative teaching like this makes me happy, especially when it means kids around the globe will be introduced to the male-dominated world of programming through the eyes of a strong, smart little girl.

* Ruby is one of the programming languages often used by journalists