During one of the opening scenes in Spotlight, Walter Robinson (as portrayed by Michael Keaton) uses the term “player-coach” to describe his role as editor of the Globe’s famed investigative team. That characterization is accurate – something I know after working as Robinson’s teaching assistant at Northeastern University.
It was an honor to interview Robinson in front of an (over) packed room at UNH earlier this week. We talked for an hour or so about the investigation that inspired the Spotlight movie, the importance of access to public information and why knocking on doors is a better reporting technique than sending emails.
Robinson’s visit was the culmination of a series of lessons built around the Spotlight film. And, judging by the conversations I’ve had with students over the last few days, lots of them are inspired to dig just a little deeper on their next stories.
I spend a handful of nights each winter in the basement of a downtown church, pouring coffee and passing out dry socks to men and women with nowhere else to go. I’m among the hundreds of volunteers who, for the last decade, have helped operate a cold weather homeless shelter in Concord, NH.
The people we serve there have been the focus of a sweeping collection of stories, photos, graphics and videos published this week by the Concord Monitor*. The series, called Seeking Shelter, has given me a lot to think about both in terms of homelessness and the role of local newspapers.
I’ve learned a lot during my volunteer shifts at the shelter, but the Monitor’s series has taught me more. The city, write reporters Jeremy Blackman and Megan Doyle, is at an “unprecedented moment” in its history:
Concord’s homeless population has been growing for years, driven by a mix of economic instability, rising substance abuse and geography. State and local police have broken up many of the encampments in town, following a number of violent incidents and several deaths.
Community leaders have long discussed finding a more permanent solution, but they’ll need to act fast. Come spring, the shelter where I volunteer and a second one at a neighboring church will shut down for good.
The Monitor has addressed homelessness in the past through daily stories, photos and editorials. But this week’s series takes its coverage to a new level, one that bodes well for the practice of local journalism.
In his book The Wired City, Dan Kennedy** asks, “Can journalism have a theology?” He uses that question to explore the motivations and professional philosophy of Paul Bass, the founding editor of the nonprofit New Haven (CT) Independent. That publication’s journalism, Kennedy writes, is
based on a community-driven vision of conversation, cooperation and respect. It is a vision that sounds a lot like that of many religious communities, and it is the opposite of the top-down, we-report/you-read-watch-or-listen model of traditional news organizations.
I’ve been reminded of this passage as I’ve watched the Monitor’s series unfold this week. All of the players – social workers, policymakers, clergy members and the homeless people themselves – are portrayed as human beings facing complex challenges. Photographers Geoff Forester and Elizabeth Frantz earned the trust of the homeless community in a way that allowed them to document the lives of people who often prefer to remain unseen.
Perhaps most importantly, though, the Monitor has explored possible solutions and invited public conversation. Much has been written about the concept of solutions journalism, and the Monitor’s work this week is a good example of the genre. The newsroom also created the hashtag #homelessinconcord to organize online discussion. Tonight, the paper’s editors will host a community dialogue at one of the shelters about the issues raised by the series.
Not that long ago, traditional journalists may have labeled this as something too close to advocacy. It’s not.
Instead, it’s the kind of thing news organizations must do to remain crucial parts of the communities they cover. Kennedy makes this argument in The Wired City, exploring how local editors like Bass can foster as well as cover civic life.
The Monitor isn’t immune to the financial and existential challenges facing newspapers, but this series is an indication that, to the journalists in its newsroom, simple survival won’t be enough. Local news organizations should practice the kind of storytelling happening at the Monitor this week. It will be hard. It will consume scarce resources. And it must happen. No matter what.
Can journalism have a theology?
And it’s embodied in the kind of collaborative, socially just and human storytelling displayed by the Monitor this week.
*I worked at the Monitor for many years, and was a consulting editor there this summer.
** Dan Kennedy was one of several fantastic faculty members who advised my graduate studies at Northeastern University last year.
The first women’s press clubs appeared at the end of the 1800s, launched by female journalists seeking equal pay, professional training, camaraderie and, perhaps more importantly, respect. By the turn of the 20th century, an estimated 700 women had joined groups in 17 states. In the decades that followed, hundreds more joined similar organizations, including the Women’s National Press Club.
I know all of this thanks to an excellent academic essay by Elizabeth V. Burt that I stumbled across earlier this year while researching the history of women in the American press. It was an interesting read, but the concept of special clubs for women seemed as quaint and un-modern as the petticoats their members used to wear. As I learned last weekend, I was wrong.
The spirit of these clubs remains strong — and relevant — today. I was one of roughly 200 women who spent a few days in rural Vermont at the Journalism and Women Symposium’s annual conference. I’d registered for two reasons: The hotel was a couple of hours from my house, and I was certain to meet some of the people involved in the digital startups I’m researching for my thesis.
The drive was, in fact, easy, and the interviews I arranged were top-notch — but the weekend was about more than filling notebooks and collecting business cards. In her essay, Burt quotes a member of the Illinois Woman’s Press Association explaining why such clubs were important: “They hunt up every discouraged newspaperwoman within reach of them, give her the secret of how to get a corner on saleable news, and in fact set her on her feet.”
That’s exactly what I saw happen in Vermont. Veteran members offered advice on job hunting, salary negotiation and story pitching to women just starting their careers. Those of us with technical skills held tutoring sessions on social media and website hosting. I picked up some tips about storytelling, of course, but also leadership advice, bookkeeping strategies and a few teaching ideas that I can’t wait to unleash in Ham-Smith next semester. And all of it came from other women, which, as I said on Twitter, is pretty different from the scene at many journalism workshops.
The highlight of the weekend, though, was meeting veteran copy editor Betsy Wade, the lead plaintiff in an equal employment lawsuit filed against the New York Times in 1974. At a reception Saturday night, I asked her sign my copy of The Girls in the Balcony, a book by Nan Roberts about the lawsuit. Next to her picture, Wade wrote ” sisterhood is all.”
(Between annual conferences, JAWS members communicate through an active Google group. The conversations — and freelance opportunities and job postings — are worth the modest membership fee. Details here.)
Months ago, I described this blog’s reading list as a work in progress. Lately, it’s been more like a work without progress — but that’s changing today.
Here’s a fun Tumblr I just discovered called ReportHer. As its clever name suggets, this site is all about women doing great journalism. The Q&As are inspiring and posts like this one are full of the kind of open-source tools digital journalists love to play with.
The skills necessary to create maps like the ones I mention above are in high demand at news organizations of all kinds, and Google is a fantastic, non-threatening way to explore the possibilities of geography-based journalism. What does it mean for tomorrow’s newsrooms if women are sidestepping these tools?
Even journalists with zero interest in building maps of their own must be literate in this kind of storytelling. Michelle Minkoff, an interactive producer for the Associated Press, says mapping requires collaboration among many members of a team. It’s complex, tricky work, but worth the effort.
“If you have a thing you see in your head, given time and resources, there is nothing to stop you from making it a reality,” she said in an email. “It is, then, making dreams come true, in a very literal sense.”
Minkoff and her colleagues used Google maps to track the 2012 presidential election, as seen here on NPR.org. (For more of AP’s interactive work, go here.)
How important will maps be to online journalism? Why?
As students, we grow up with maps, and I believe they are a visualization type that can be very comprehensible to the general public when used correctly…I can tell you there have been a lot of crime incidents, or you can see the plethora of dots and just how many there are. It’s a whole different angle on using facts. As technology develops, the possibilities explode.
It’s also important to note that forms of visualization are many, and often, just because you CAN map a story, doesn’t mean you should. For more, see here.
What kinds of tools do you use to create maps?
I’m part of a talented team at the AP, and none of the pieces I’m about to discuss would be possible without my collaborators. It’s not about being a woman in tech, but working with a team where we operate on the quality of our work, not external factors.
I spend a lot of time building mapping systems. The focus here is less on building one specific map, than on building computer programs that make it easier for others to make maps. More often, we use one of two systems we’ve created, with various different programs and code libraries. One we call the “shape map”, which are shapes that you fill in on a page. (Here’s an example.)
Often, we fill in the shapes with different colors to represent data. For this, we use ESRI shapes to get the actual data, Illustrator to style those files, Inkscape for further simplification of the shapes and Raphael to render it out on the page. Some internal tools also help this process along. While most of our published shape maps feature the US, we’ve created custom shapes for world countries.
The other type of system we have is our zoomable map. Here’s how AP used it for the impact of Superstorm Sandy. Again, we use ESRI shapes to get the shapes of the world on the map, used Tilemill to style the background map and then the Leaflet library to make it interactive and put dynamic data on the map.
What can we do to get more women interested in tech, both in J-school and in news orgs?
For students and practitioners of journalism, seeing examples of what’s possible, and then understanding how to get there seems like a good route. That means more courses introducing concepts via projects, which then teach concepts. Also, getting people excited about what they can do if they learn code.
Just as importantly, female journalists must be given opportunity to recognize you will not be the only female techy journalist out there. Seek out the others, because there are many of us. And the best part of all is the journalism community is extremely welcoming, and that includes the men. I rarely think about gender on a daily basis, because we’re there to do good work. Always remember the mission of telling compelling stories. That is the end goal.